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Angela Bulloch
Angela Bulloch (born 1966, in Rainy River, Ontario, Canada), is an artist who often works with sound and installation; she is recognised as one of the Young British Artists. Bulloch lives and works in Berlin.〔(Angela Bulloch: Universal Mineral, May 22 – July 4, 2013 ) Simon Lee Gallery, Hong Kong〕
==Life and career==
Bulloch studied at Goldsmiths' College, London (1985–1988) and was included in the Freeze Exhibition, 1988. She was nominated for the Turner Prize in 1997, part of an all-female shortlist that also included Cornelia Parker, Christine Borland and Gillian Wearing (who won the prize that year). For the Turner Prize exhibition, Bulloch exhibited her playful artwork called ''Rules Series''.
Bulloch has worked in multiple media, including video, installation, sculpture, painting.〔Susan Kandel (May 27, 1995), (Art Review: Bulloch Bridges Art and the Audience ) ''Los Angeles Times''.〕 In particular, she has used video, sound and light to explore pre-edited systems. Many of her works make use of biofeedback systems. Such as in her 1994 work ''Betaville'', a machine painting vertical and horizontal stripes on a wall, was triggered whenever someone sat on the bench in front of it.〔Uta Grosenick, ''Women Artists in the 20th and 21st Century'', Taschen, 2001, p71. ISBN 3-8228-5854-4〕 Bulloch has also made a number of works using Belisha beacons, which are more commonly used to illuminate pedestrian crossings.〔(Angela Bulloch, ''West Ham - Sculpture for Football Songs'' (1998) ) Tate Liverpool.〕
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